Irish Singers (6)
RENOWNED STREET PERFORMERS INDUCTED to
All Ireland ShoBiz Hall of Fame
The “Blind “ Dunnes
"I saw them on the streets of Clones
At a Fleadh Cheoil long ago
A white haired man with a fiddle
His brother had an old banjo.
"They're blind," said the woman beside us,
"But by God, them boys can play!"
- "That's the "Swallow's Tail'’ said my father
And the music took us all away.
And if you stop to listen
They’re playing for you and I
And their music sings along the strings
Between the earth and the sky
Between the earth and the sky
Renowned Throughout Ireland On Match Days
Those are the opening verses of a beautiful song recorded by Colum Sands immortalising the Dunne brothers who were sons of John and Mary Dunne, members of an extended family boasting many famous musicians and singers. They were one of the great musical families of Ireland, with a heritage stretching back many generations. Not only did they keep the music alive, they also recycled the names through the generations which confused many - first cousins with the same christian names i.e. “Fiddler” (Michael) Dunne featured on the “Late Late Show”, and Bernard was introduced on TV playing a box fiddle (made from orange boxes) by a youthful presenter Bill O’Herlihy.
Died at 42 On His Way Into Cork on Christmas Eve 1956
Confining ourselves to the traveller family of John and Mary Dunne; according to a son and nephew, renowned Uileann Piper Micky Dunne, seven brothers Paddy, Jack, Stephen, Barney, Christy, Michael and Hanta (Joseph). With the exception of Stephen, who died at a young age, these Dunne musicians, stringed-instrument virtuosos all, influenced many of the brightest stars in the present generation of Irish fiddle players.
Paddy, is remembered best in Limerick and was a great fiddler, all of whose sons became musicians - the best known are Mickey and his brother Christy Dunne, the newest set of 'Dunne Brothers' who are well known the length and breadth of Ireland and throughout the International festival scene. Jack, another gifted musician, died a young man at just 42 on his way into Cork city to busk on Christmas Eve 1956 (traditionally a very profitable day) when he was knocked down by a van. The shocked driver took him to the Mercy Hospital where he died without regaining consciousness on Christmas Day. Amazingly, the fiddle he was carrying wasn’t even scratched!
It was Christy, Michael and Joseph (Hanta) who evoke, for thousands of nostalgia seekers, very special memories of their powerful street performances. You would hear them before you saw them and they became known as the “Blind Dunnes”. They were christened the Blind Dunnes, a title inherited as they all had cataracts and appeared blind. Christy, a bachelor, played the banjo. He had knobbly fingers and played with a thimble. Joseph (Hanta), who was married, played the fiddle and banjo whilst Michael, also married, played the fiddle .
From The Premier County
Photos of the trio busking together appear to be non existent (as rare as hens teeth) although they are photo-shopped on the cover of a delightful CD “The Life and Music of the Dunne Brothers”, narrated by Paddy’s granddaughter Niamh Dunne and produced by the Nomad Project. Christy and Michael moved to Cork in the early 70’s and lived in the northern suburbs. For almost a quarter of a century the busking brothers had been a feature of life in the heart of Cork city.
The duo that came from Tipperary town to Cork and had their skills nurtured by their father John, a music teacher, who at one time, had a band of his own. He was well known also as a stage musician who performed during the early silent movies. People did not come to hear the Dunnes in a formal situation; they had to bring their music onto the street and appeal to as many passersby as they could.
They changed their melody of music if the financial intake wasn't rewarding. As well as traditional tunes and airs, they played popular songs like ‘Red Sails in the Sunset’ and ‘Galway Bay’, but they could also play classical pieces by Fritz Kreisler, Vittorio Monti, and Liszt, an amazing technical achievement. Theirs was a story of the genius of music flying in the face of adversity.
Christy and Michael were to become part of life in Pana (Patrick St), where their smiles and good humour were as popular as their music. They graciously accepted the support that gave them a living and in turn they gave generously of their time and talents, especially when it came to entertaining the old folk. Music was their lifeline - it brought them food and clothes, a roof over their heads and a means of travel by allowing the upkeep of a horse and a barrel shaped caravan which took them to all the major venues where big crowds were anticipated. They could be heard and seen at Munster finals in Cork, Limerick, Thurles and Killarney, at Galway races, Fleadh Ceoils and even Knock Shrine pilgrimages.
Pay After You Play
Back in Cork they entertained patrons queuing for blockbusters at the Savoy Cinema (mainly week-ends) and the big soccer games up the Mardyke. Mary Mitchell (UCC) talking on “Clarebannerman” recalls Christy and Michael going into Pana usually on Mondays, Thursday and Saturday. They travelled light, having no need for music cases which they felt were a nuisance, and busked for hours outside Roches Stores where donations were thrown into a shoe-box which they would have acquired in Tyler’s, Winthrop Street. They were frequent and welcome visitors to Crowley’s iconic former musical shop (described by Jimmy Crowley as the musicians “Chapel of Ease”) in Merchant’s Quay/ McCurtain Street, where their musical requirements were generously provided, on a pay-after-you-play arrangement (when they could afford it), by a charitable proprietor, Michael Crowley.
Vivacious, Energetic and Beautiful
Tony McMahon, another admirer of the Dunnes, in his “Bring down the Lamp” series in 1983 footage reproduced for “clarebannerman”, said their music was not just sweet, it was Vivacious, Energetic and Beautiful . Nearly everyone treated them with respect,however there were some isolated cases when it wasn’t always so; such as an incident in Cork, where an unpleasant Garda moved them on angrily, kicking their shoe-box, scattering their modest hard earned coppers all over the footpath. The legendary musician, Seamus Ennis, who was one of those present enjoying the street session, instantly reprimanded the Garda. Household names in Irish music like McMahon, Seamus Connolly, Frank Gavin and Mick Moloney, all credit the Dunne brothers as key figures in their musical development.
But nothing lasts forever, and Jim Cluskey in the Cork Examiner sadly announced the end of an outstanding partnership when informing readers in August 1987 of Christy’s passing when he wrote, “Now death has broken the alliance which for so long gave so much pleasure to natives and visitors alike. It has to be said that it is the “tall one” who has died... because the two had become inseparable in the public mind. Christy played the banjo and Michael the violin. It is the strings of the banjo that have been stilled.
Silenced By Death
The death of the “tall one” has severed one more link with Cork of bygone days. Cork’s own musical genius, Jimmy Crowley, paid them the ultimate tribute in his weekly Evening Echo column, “It’s as if you silenced for ever one of the bells of Shandon, or snatched from the city a quorum of Echo boys, or hear with muffled ears the din of Pana, voice rich in the mirth of a summers afternoon; such is the loss Christy Dunne to the music of Cork city, a unique fabric in the weave of the place. Though the street was his rostrum, he performed regularly at the earlier traditional folk clubs in the city; at “Captain Mackey’s” in McCurtain Street and at the Friday night ballad sessions in the Group Theatre on the South Main Street.
Resting Place In Cork A regular performer on Radio Telifís Eireann, ‘tis often that he stole the show on the “Bring Down the Lamp” and “Céilí House” and to the very end had a sound patron in Ciarán MacMathúna. Michael Dunne died nine years later in 1996 and was buried with Christy in their family plot in St. Michael’s Cemetery, Blackrock. A distinctive headstone, with a carved banjo, is a reminder to visitors of their immense contribution to Ireland’s musical heritage. Shortly after Michael’s passing Joseph (Hanta), a legend in his own right, passed away in Limerick.
The Legend lives on as the musical Dunne dynasty continues in Brid and Niamh Dunne, Mickey's talented daughters. These gifted musicians have joined their fiddling and vocal skills to their father's uileann piping in their CD Legacy, a living tribute to their family's rich heritage.
Tribute composed by Cork Historian;
on behalf of All Ireland ShoBiz Hall Of Fame Induction of legendary DUNNE BROTHERS
INDUCTEE: MICHAEL COLEMAN
Gurteen, Co. Sligo
Birthplace of World Famous Fiddle Player
Driving leisurely westwards in Sligo countryside on a beautiful summers afternoon, we came upon a four roads crossroads in a small quiet village, dominated by the presence of a well appointed local Heritage Centre. I wondered why such a splendid building had sprung up and what role the business of heritage had played, to warrant such an attraction.
It was an obligatory stop of my four wheels and on a quick glance I began to think, an investigation of what lay inside would need to be done. The location was real country and my mind was asking, who might the famous person be from the area, with such a splendidly appointed Heritage Centre at the helm of the village.
Michael Coleman’s life straddled two centuries. He was born on31st January 1891, just a short distance outside the village of Gurteen, Co.Sligo, and died in far off Manhattan, America, on 4th January 1945, at the relatively young age of fifty four. Michael was the youngest of a family of seven and his dad, James, was a well known flute player of farming stock, but the acreage was very small.
Into Recording Studios
Michael Coleman was the survivor of twins and had a legacy of ill health and was of light build and small in height and his native district of Killavil, was well known for its reputation of producing notable fiddle players and travelling musicians. In rural Ireland, travelling dance teachers were very prominent in the 19th and early 20th centuries and music sessions in peoples own homes were quite frequent.
A young Michael Coleman would have grown up surrounded by Irish music and dancing. He was reputed to be quick on his feet with his dancing shoes on, but aside from dancing, he became an accomplished violinist in his youth. Local organised concerts were also hugely popular events in times past and Michael Coleman’s exquisite skills on the violin were much admired. Names that popped up in my research include, Johnny Gorman, Phil O’Beirne and PJ McDermott, all noted fiddlers and Michael’s elder brother, Jim, was reputed to be influential in Michael’s development as a musician of note.
The Old Gramophone
The call of emigration came upon Michael Coleman in 1914, aged 23, and building with bricks and mortar, would not have been enticing for the Gurteen native and instead he devoted a huge amount of time to perfecting his musical skills. It wasn’t too long before the recording companies of his day enticed him into their studios in the 1920’s/30’s decades.
A desire to explore far off America was fulfilled and he left England’s shores in search of greater opportunity and appreciation. The dance halls, bars and clubs of New York, often echoed to the strains of Michael Coleman’s fiddle playing and he made several recordings in association with famous fiddlers, Patrick Dolan and Tom Gannon and flute players, Tom Morrisson and Michael Walsh. In later years Michael Coleman linked up with legendary fiddlers, Hugie Gillespie and James Morrison and made several recordings.
The gramophone was the juke box of the late 19th and early 20th centuries and many Irish homes were privileged to own this special musical piece of equipment, and the music of the now famous Sligo musician, found its way back to the Emerald Isle. His music was extensively popular and he had, like all like great solo musicians, developed a sound instantly recognisable as Michael Coleman.
The fiddler from Killavil, Gurteen, Co. Sligo, took fiddle playing, perfection and ability to new heights. He could transform an ordinary song, into a tune that everybody knew, could only be achieved by Michael Coleman, Famous Musical Son Of Ireland.
COLEMAN MUSIC CENTRE
This popular centre at Gurteen, the scene of my discovery, is a community based, state of the art traditional music and cultural centre which draws together the many strands of south Sigo’s rich musical heritage. The Heritage Centre is dedicated to the memory of the famous Gurteen fiddle player, MICHAEL COLEMAN, a musician who had a profound influence on traditional Irish music around the globe.
The objective of the centre is the preservation and promotion of Irish traditional music and culture and just like our own Irish Heritage Online project, Famous Sons & Daughters of Ireland, we also are all about preservation and promotion of time past in Sport; Music; Heritage and History.
On my own personal visit to the Michael Coleman Music Centre in 2017, it was a revealing insight to an Irish Heritage Centre, that could only be described as a magic work of art. The facilities at the centre are illuminating and a joy to behold and maybe one fine summers day, I may get an opportunity to offer up our very own Irish Heritage night of Famous Sons & Daughters Of Ireland on our BigScreen with music of times past galore.
Editorial & Research by
Derry JF Doody
Irish Home of All Ireland Hall of Fame Online Gallery
Honouring Famous Sons & Daughters Of Ireland incorporating CHRISTIE HENNESSY:
CHRISTIE HENNESSY was one of many 'Messenger Boys' in every town in Ireland who had their fair quota of ‘Messenger Boys’ who delivered groceries in all weathers on messenger bicycles with a large basket positioned in front of the handlebars. Christie probably didn’t realise at that time that he possessed a unique musical genius. The music in Tralee of the 1950’s was primarily Irish ballads and he took his first musical steps at just six years old when a local man made Christie a dummy guitar out of a tea chest.
Hidden Musical Gem for Decades
The road to stardom was about to begin and Christie, with his immense musical air, began strumming his new "instrument" and producing his own sound to the amazement of his family and friends. Living an impoverished life in Tralee and staring in to a life of long and great toil, he decided to seek his fortune and a new life in London when aged just fifteen. That journey was complicated as Christie was unable to read or write due a severe dyslexia impairment. His dyslexia condition did not impair his ability to compose songs and lyrics and during his early years in London he began working on building sites as a labourer and later would become an accomplished painter and decorator.
It was this type of work that later in his life began to torment Christie and would result in his early death at just sixty two years old. Working on sites with much asbestos content was not seen as a major problem in the 20th century, but in modern years scientific research proved that asbestos was a very dangerous building component.
As the years progressed for Christie in London he brought his musical talents to pubs all over England at week-ends and earned a token amount for his gigs. These were tough and insecure times for Christie and his young family, but his trademark was his unique and melodious voice and his ability to compose music and songs whilst working at his trade or taking a stroll around his neighbourhood.
Famous songs of Christie include ‘Roll Back The Years’; Don’t Forget Your Shovel’ a song famously recorded by Christy Moore; ‘All The Lies That You Told Me’ a song that made Frances Black one of Ireland’s most renowned female singers; ‘I Am A Star’ and many more famous compositions.
A song composed by Christie that took him back to his Tralee roots ‘Messenger Boy’ became his own national anthem and endeared him to legions of fans around the globe. His first venture into a recording studio was in 1972 when he recorded his first album ‘The Green Album’ whilst still working at his day job. The new release made little impact and Christie would spend another twenty years toiling with his paint brushes to support his family.
In 1992 Christie was persuaded to go back to the recording studio and this time he did so with great confidence when some influential people in the music business recognised he had a really special talent. ‘The Rehearsel’ album was the catalyst that jettisoned the Tralee artist to national and international stardom and he claimed a triple platinum award for this release. He followed up with two more albums, ‘A Year In The Life’ and ‘Box’ and both became huge hits.
His new found popularity and status made a huge impression on music lovers worldwide and the Tralee born singer, who was still unable to read or write, discovered that despite this impediment, he was appearing on major television shows and in major concert halls to huge acclaim. At the pinnacle of his career the dormant cancer began to surface from asbestos inhalation and now Christie had a new and life threatening challenge. Despite his terminal illness, the popular Irish singer continued with his work as an international singer and songwriter but alas in a London hospice on the 11th December 2007, Christie Hennessy succumbed to the cancer.
Gone was an Irishman who left a huge message for people with learning difficulties throughout the world. Don’t allow your deficiency to hinder your mind and soul – keep right on to the end of the road and that is precisely what the Famous Son of Tralee and Ireland did right through to his own end.
Christie is Ireland’s most famous ‘Messenger Boy’ and that long lost service work by Irish boys will never be forgotten in the annals of Irish history and Christie Hennessy’s song ensured the rightful remembrance of this noble service.
Christie Hennessy born 1945 - died 2007. A monument in Tralee to the famous Kerryman is a proud testament to the musical genius of Christie Hennessy.
All Ireland ShoBiz Tribute
by Derry JF Doody
Famous Son Of Ireland: Singer Category:
Stardom And Fame For Famous Musical Son Of Waterford
Easy Going On Stage; Easy Listening, Radio & TV Listeners & Viewers Just Loved Irishman, Val Doonican
There are nice Irish singers and great Irish singers and whilst we enjoy listening to both types, there’s always a special one who really stands out.
One of Ireland’s greatest ever singers was also a great entertainer and that special mix cannot be applied to all great singers.
Val Doonican, born in Waterford City on 3rd February 1927 is indeed a Famous Son Of Ireland and he was also a singer that every home in Ireland throughout the 1960’s;70’s; and 80’s could identify with. Val was the youngest of eight children born to John and Agnes (nee Kavanagh) and the Wateford family were musically inclined.
Young Val played in his school band from the age of six and in 1941, when he was just fourteen, his father died. This necessitated leaving school and acquiring a job. He secured work fabricating steel and making orange and grapefruit boxes and his weekly wage helped his mum to maintain the household.
It was in Wexford he began pioneering his music with his friend, Bruce Clarke, and they had their first professional engagement as a duo in 1947. Courtown Harbor, Co. Wexford, was an Irish seaside port and it was here in the summer that Val got the music bug and gigging into his daily worklife.
He progressed to feature on Irish radio, sometimes with Clarke, and appeared in Waterford's first-ever television broadcast. At that time he was playing the drums and singing in an English band on a tour around Ireland.
His Irish personality on his own BBC TV shows made listening and watching him a delightful pleasure but most importantly his English audiences also wanted more and more of Val Doonican.
Sitting in his rocking chair and singing many melodies of Irish songs was a brave act to perform for any artist on an English stage and not too many Irish singers could get away with such a diary of Irish songs.
Val died on 1st July 2015 at age eighty eight and as a crooner, composer and traditional pop singer, unlike many famous singers, Val Doonican knew his music intimately, but this wasn’t known to many. His warm and very relaxed style endeared him to all age spectrums.
Val’s popular successes, especially in the United Kingdom, where he had five successive Top 10 albums in the 1960s, as well as several U.K. hit Singles that included "If the Whole World Stopped Lovin”; “Walk Tall”; and “Elusive Butterfly" to mention just a few.
The Val Doonican Show, which featured his singing and incorporating a variety of special guests, had a long and successful run on BBC Television from 1965 to 1986 and Val won the Variety Club Of Great Britain BBC-TV Personality of the Year award three times.
Whilst many dates in Val’s life were very special, the year 1951 took him across the Irish sea and never again to come back home to his native Waterford to live out his life. He toured around England with the Four Ramblers initially and also appeared on BBC Radio Shows.
English based U.S.A. Air Force bases were places where many budding artists took their first musical steps and Val was a popular act with the American troops. When international artist, Anthony Newley, toured England, Val’s Four Ramblers were the support act and the boys also had a dancer, Lynette Rae, as part of their act.
Val and Lynette became an item and married in 1962. On the advice of Anthony Newley, who recognised his unique talent and voice, he quit the group to set up a solo career. Radio Shows took him to a much greater audience. He was later allocated his own Radio Show and also performed as a solo artist in concerts and cabaret.
A huge opportunity opened up when Val Parnell, an impresario, booked him to appear on BBC TV Show “Sunday Night At The London Palladium”.
The show had a multi million viewership and Val hit the jackpot big time as the producers offered him his own TV Show.
At their peak Val’s shows attracted audiences of over 19/20 million viewers. The shows featured his relaxed crooner style, sitting in a rocking chair, often sporting popular Irish style cardigans/jumpers.
The BBC were so overwhelmed with Val’s public appeal, they decided to publish a book “Val Doonican Tells The Adventures Of O’Rafferty”. This was 1969.
Val Doonican and Lynette Rae had two daughters, Sarah and Fiona. Life for the Waterford entertainer/singer reached a summit and he announced his retirement in 1990 but legendary international performers never retire and in 2009 Val was still on stage.
Leisure for Val as a keen golfer was an escape from the limelight and as a talented watercolour painter, this was another escape from his music. He was also known to cook up a nice dish to further endorse his all round talents.
In June 2011, the Mayoral office of Waterford decided to grant their Famous Son “The Freedom Of Waterford City” and this honour really signified that the Val Doonican legacy would live on forever in Waterford City.
Val Doonican died at a nursing home in Buckinghamshire on the evening of 1st July 2015, aged eighty eight. His death was unexpected, as he hadn’t been ill. He just passed away peacefully and quietly on English soil at a nursing home in Buckinghanshire.
Gone was an Irishman who loved his native soil so dearly. He sang about Ireland all around the globe and now our Irish Heritage website @ www.scorboardmemories.com welcomes the incorporation of Val Doonican into our All Ireland Hall Of Fame Gallery as a Famous Musical Son Of Ireland.
Happy reading to all our browsers around the world.
Derry JF Doody
Famous Daughter Of Ireland: Singers Category:
Ruby Murray - Famous Belfast 1950's Singer Actress
Mention of the name Ruby Murray on Irish radio in Irish households during the late 1950's and early 1960's brought the kitchen to a grinding halt. Her songs and sweet Irish voice was a treasure to behold and Ruby was on top of the music world with a succession of No. 1 hit songs. Her popularity had no boundaries.
Born on Donegal Road, Belfast on 29th March 1935, many musical experts contend that an operation on her throat as a child gave the Belfast entertainer an extra lyrical chord that created a really special singing voice.
At the age of twelve Ruby was singing around Ulster concert halls and was soon discovered.
Singing Irish lullaby songs or pop tunes, she mastered both with her beautiful voice.
In 1955 the U.K. Top Twenty charts were heaving with her records and she managed to have at least one song in the charts for fifty two consecutive weeks. This extraordinary feat has never been repeated by another artist.
Her maiden release was ‘Heartbeat’ 1954 followed by ‘Softly Softly’ 1955. At one stage the famous Irish singer had five singles in the Top Twenty at the very same time.
'Happy Days And Lonely Nights', 'Let Me Go Lover', 'If Anyone Finds This, I Love You' (with Anne Warren), 'Evermore', 'I'll Come When You Call', 'Real Love', 'Goodbye Jimmy, Goodbye' and 'You Are My First Love'.
She sang the last number over the opening titles of the film musical It's Great To Be Young.
Murray's own film appearances included the comedy, A Touch Of TheSun, with Frankie Howard and Denis Price.
During a hectic period in the mid-50s, she had her own television show, starred at the London Palladium in Painting The Town with Norman Wisdom, appeared in a Royal Command Performance, and toured the USA, Malta and North Africa.
In 1957, while appearing in a summer season at Blackpool, she met Bernie Burgess, a member of the vocal group the Jones Boys. They married in secret 10 days later.
Burgess became her personal manager and during the early 60s, they toured as a double act.
In 1970 Murray had some success with 'Change Your Mind', and released an album with the same title, which included contemporary songs such as 'Raindrops Keep Falling On My Head', and revamped some of her hits.
In 1989 Ruby Murray's EMI years included other songs regularly featured in her act such as
'Mr. Wonderful', 'Scarlet Ribbons' and 'It's The Irish In Me'.
In the 90s, based in Torquay, Devon, with her second husband, impresario Ray Lamar, she was still performing in cabaret and in nostalgia shows with other stars of the 50s right up to her death in 1996, aged sixty one.
Famous Son Of Ireland: Singers Category:
International Success For Kerry Tenor In 1950's
Connie Foley is a name that will not roll off the lips of Ireland's music fans and yet he is still a world famous artist and singing tenor, born in Tralee in 1925 and died at Leeds, England in 1975. His music lives on through the 500 songs he recorded and not too many world famous artists can lay claim to such a great achievement. His rise to fame from the obscurity of working as a waiter in a Boston hotel is not unusual for many artists but Connie Foley mainly specialised in singing Irish songs only.
In Tralee as a young boy he left school at twelve and became a messenger boy in similar fashion to another famous Tralee artist, the late Christy Hennessy. After a few years peddling around Tralee on his messenger bike, Connie set out for the bright lights of Birmingham, England, on his 21 st birthday and soon found the work available, with his limited qualifications, would not be too rewarding.
After two years toiling in the midlands of England and singing for the pleasure of pub patrons in Irish bars, Connie set out for the United States at twenty three and setlled in Boston. He found employment working as a waiter at the Sheraton Plaza Hotel and with his sweet melancholy voice, he becamd known as the singing waiter from Ireland. On occasions he was called upon to sing a few Irish numbers with the resident band and he was hugely popular with patrons.
On one notable occasion two men with strong Irish heritage strolled in to the hotel and heard Connie Foley on stage blasting out The Wild Colonial Boy, a real favourite with the Irish in Boston. Both men were steeped in the music industry, one as a promoter and the other as the owner of a recording company. These men were lamenting the early death of John McCormack and his music was financially very important to both men. The voice of Connie Foley captivated the pair of musicmen and soon after Connie Foley, the messenger boy from Tralee, would be recording the Wild Colonial Boy.
The single sold in millions to Irish Americans and also in Europe and Connie followed up with many more recordings that him a successor to John McCormack as Ireland's most popular tenor singing Irish songs. His wealth and earning capacity was great until the arrival of the 1950's pop and rock n roll era with Elvis and several more U.S. pop sensations. Unable to compete with this market Connie left America and settled in Dublin and invested heavily in the production of Irish albums.
Regretably the venture was not a success and after six years - 1968 - '74 - he once more set sail for England with his fortune crumbling away. He ventured out on a country wide tour of Irish centres across Britain but the Irish ballad scene was now firmly out of tune with most venue proprietors and the great and famous Connie Foley act was over. He lost heavily in the financial stakes and would never recover from the crushing blow dealt to him. He died alone in a rented apartment near Leeds in 1975 and was buried at a local cemetry.
Now here's a brief introduction to some of Connie's best known recorded songs:
Dingle Bay; I'll Take You Home Again Kathleen; When You & I Were Young Maggie; Hills Of Glenswilly; County Cavan; That Old Irish Mother Of Mine; Ireland's 32; Whistling Gypsy; Goodbye Johnny Dear; Doonaree; Garden Where The Praities Grow; Golden Jubilee; Boys From The County Mayo; Three Leaf Shamrock; Typical Irishman; McNamara From Mayo and many others.